• RM_70

    Installation view, Ross Manning, ‘Dissonant Rhythms’, Institute of Modern Art, 2017. Photography: Carl Warner. In view: Ross Manning, ‘Spectra XIII’, 2017.

  • RM_34

    Installation view, Ross Manning, ‘Dissonant Rhythms’, Institute of Modern Art, 2017. Photography: Carl Warner. In view: Ross Manning, ‘Wave Opus III’, 2017.

  • RM_47

    Installation view, Ross Manning, ‘Dissonant Rhythms’, Institute of Modern Art, 2017. Photography: Carl Warner. In view: Ross Manning, ‘Wave Opus III’, 2017.

  • RM_51

    Installation view, Ross Manning, ‘Dissonant Rhythms’, Institute of Modern Art, 2017. Photography: Carl Warner. In view: Ross Manning, ‘Bricks and Blocks’, 2016.

  • RM_54

    Installation view, Ross Manning, ‘Dissonant Rhythms’, Institute of Modern Art, 2017. Photography: Carl Warner. In view: Ross Manning, ‘Bricks and Blocks’, 2016.

  • RM_56

    Installation view, Ross Manning, ‘Dissonant Rhythms’, Institute of Modern Art, 2017. Photography: Carl Warner. In view: Ross Manning, ‘Six Short Films’, 2016.

  • RM_33

    Installation view, Ross Manning, ‘Dissonant Rhythms’, Institute of Modern Art, 2017. Photography: Carl Warner. In view: Ross Manning, ‘Endless Sheet’, 2011.

  • RM_10

    Installation view, Ross Manning, ‘Dissonant Rhythms’, Institute of Modern Art, 2017. Photography: Carl Warner. In view: Ross Manning, ‘Sad Majick’, 2009.

Ross Manning: Dissonant Rhythms

5 August–28 October 2017

Curated by Aileen Burns, Johan Lundh, and Madeleine King

The Institute of Modern Art (IMA) is pleased to present Brisbane-based artist and musician Ross Manning’s first-ever survey exhibition, Dissonant Rhythms. Best known for his use of everyday materials, Manning’s major exhibition features sculptures that repurpose ceiling fans, fluorescent tubes, and overhead projectors, creating exquisite interplays of light and sound.

In a major new commission made especially for the IMA’s galleries, the artist has constructed a large-scale self-playing instrument that resembles a wave form, along with a custom-designed performance space for the artist and his collaborators. In what is a transformative opportunity, the four-gallery exhibition will be complemented by the publication of his first monograph, published by the IMA, accompanied by a vinyl LP, released by IMA and Room40.

The exhibition is curated by IMA’s Directors, Aileen Burns and Johan Lundh, and Senior Manager, Madeleine King. The publication, Dissonant Rhythms, is edited by Madeleine King, and features contributions by Ellie ButtroseCaleb Kelly, and Danni Zuvela.

Ross Manning: Dissonant Rhythms will tour to ten venues across Australia, 2018–20.

Biography

Ross Manning’s practice spans experimental music, new technologies, and immersive installations that often involve the play of light. Recent solo and group exhibitions include: Why Not Ask Again?, 11th Shanghai Biennale, China; Set in Motion, Govett-Brewster Art Gallery, New Plymouth, New Zealand; Ross Manning, Carriageworks, Sydney, Australia; Device for Messaging Nothing, Milani Gallery, Brisbane, Australia, Colour Shift, Loop, Seoul, Korea (all 2016); Light Play, University of Queensland Art Museum, Brisbane, Australia; GOMA Q, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia; Interplay, The National Museum of Modern And Contemporary Art, Seoul, Korea; Imaginary Accord, Institute of Modern Art, Brisbane, Australia; The Kaleidoscopic Turn, National Gallery of Victoria, Melbourne, Australia (all 2015); and You Imagine What you Desire, 19th Biennale of Sydney, Australia 2014.