• Willem de Rooij, Blue to Black (120 x 550 cm, batik hand-printed fabric, 2012). Installation view, Hollandaise, Raw Material Company, Dakar, 2013. Courtesy the artist and Galerie Chantal Crousel, Paris.

  • Willem de Rooij, Blue to Black (120 x 550 cm, batik hand-printed fabric, 2012). Installation view, Hollandaise, Raw Material Company, Dakar, 2013. Courtesy the artist and Galerie Chantal Crousel, Paris.

  • Willem de Rooij, Silber, Dreieck, 2015, Polyester sewing thread and silver and gold colored metal threads, 61.38 x 30.51 x 2.24 inches (155.9 x 77.5 x 5.7 cm)

  • Willem de Rooij, Gelb, Parallelogramm, 2015. Polyester sewing thread and silver and gold colored metal threads, 30.63 x 92.24 x 2.24 inches (77.8 x 234.3 x 5.7 cm)

Willem de Rooij

11 February–25 March 2017

The Institute of Modern Art (IMA) will open the first solo exhibition in Australia of renowned Berlin-based Dutch artist Willem de Rooij, Ebb Rains. He is a highly influential artist and educator, through his longtime role at the Städelschule in Frankfurt, Germany, and a practice that spans two decades, including such prestigious acknowledgements as Prix de Rome in 1996, and representing the Netherlands at the 51st Venice Biennale in 2005.

De Rooij’s expansive exhibition at the IMA reflects on the Dutch colonial presence in the Asia Pacific region and makes subtle reference to more recent instances of empire and intervention in the natural world. In particular, two large-scale sublime textiles Blue to Black (2013) and Black to Blue (2015) trace the global legacy of the Dutch colonial project, looking at textile industries in Ghana and Indonesia where one of the two works was produced with the support of the IMA. More recent developments in de Rooij’s work with hand-woven fabrics can be seen in the series of seven stretched textiles shaped as tangrams (a Chinese dissection puzzle). In this body of work from 2015, hand-spun thread in two colours form the warp and weft to create rich monochromes. Also investigating the ambiguous relations between colour and ‘meaning’ is the iconic work Orange, created by de Rijke/de Rooij in 2004 (his collaboration with Jeroen de Rijke, 1994–2006). This series of slides use a single colour to make reference to an expansive range of subjects. Bouquet XVI (2015), is a monumental dried floral arrangement, sourced locally, that reveals the artist’s multilayered and complex approach to materials and concepts, referencing climate, drought, and the still- life tradition so prominent in Dutch art history. In a surreal twist, Farafra (2013), extends the presence of the natural world through sound.


Willem de Rooij, born 1969 in Beverwijk, the Netherlands, now lives and works in Berlin, Germany. De Rooij studied art history at the University of Amsterdam and art at the Gerrit Rietveld Academie and the Rijksakademie in Amsterdam. He is currently Professor of Fine Art at the Städelschule, Frankfurt am Main and Guest Advisor at the Rijksakademie, Amsterdam. In 2014 he was nominated for the Vincent Award, Gemeentemuseum Den Haag, The Hague. Recent solo exhibitions include: Entitled (2016), MMK Museum für Moderne Kunst, Frankfurt, Germany; The Impassioned No (2015), Le Consortium, Dijon, France; Character Is Fate (2015) Witte de With, Rotterdam, the Netherlands; Index: Riots, Protest, Mourning and Commemoration (2014), Arnolfini, Bristol, UK; Using Walls, Floors and Ceilings (2014), the Jewish Museum, New York, USA; Farafra (2013), Bergen Kunsthall, Bergen, Norway; Untitled (2012) at Kunstverein München, Munich; Crazy Repelled Firelight (2011), Friedrich Petzel Gallery, New York, USA; and Intolerance (2010) at Neue Nationalgalerie, Berlin, Germany.


Related Events

Related Press


Willem de Rooij: Ebb Rains is generously supported by the Mondriaan Fund.