• Ayoung Kim 'Delivery Dancer's Sphere' 2022.

  • Ayoung Kim 'Delivery Dancer's Sphere' 2022.

  • Ayoung Kim 'Delivery Dancer's Sphere' 2022.

  • Ayoung Kim 'Delivery Dancer's Sphere' 2022, Institute of Modern Art, Brisbane/Meanjin. Photo: Joe Ruckli.

  • Ayoung Kim 'Delivery Dancer's Sphere' 2022, National Museum of Modern and Contemporary Art, Seoul. Photo: Hong Choelki.

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Ayoung Kim

Delivery Dancer's Sphere

12 July–5 October 202512 Jul–5 Oct 2025

Futurist Seoul is an endless labyrinth of regenerating routes. Ernst Mo (an anagram of ‘Monster’) elegantly navigates their never-ending delivery work under the control of a master algorithm called Dancemaster. The gig: complete the delivery quickly and undetected. However, when Mo’s encounters with their alter-ego En Storm risk delaying each job, the Dancemaster enhancement system threatens to unravel. Created during the Covid pandemic, when the gig economy and platform labour intensified in South Korea, Ayoung Kim’s video Delivery Dancer’s Sphere probes the accelerationist urge for body and time optimisation.

Curated By
  • Odette Miller
Artist Bio

Ayoung Kim (b. 1979) weaves reality anew through a tapestry of hybrid narratives while integrating geopolitics, mythology, technology and futuristic iconography in her work. The outcomes of synthesized narratives result in far-reaching speculation in the forms of video, moving image, game simulation, installation, performance and texts. Ayoung lives and works in Seoul, Korea.

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The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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