Daniel McKewen
  • Daniel McKewen, 'Promissory Estoppel' (production still), multi-channel HD video with sound, infinite loop. Courtesy the artist and Milani Gallery, Brisbane.

  • Daniel McKewen, 'Promissory Estoppel', 2018. Installation view: IMA Belltower. Photo: Charlie Hillhouse.

  • Daniel McKewen, 'Promissory Estoppel', 2018. Installation view: IMA Belltower. Photo: Charlie Hillhouse.

  • Daniel McKewen, 'Promissory Estoppel', 2018. Installation view: IMA Belltower. Photo: Charlie Hillhouse.

  • Daniel McKewen, 'Promissory Estoppel', 2018. Installation view: IMA Belltower. Photo: Charlie Hillhouse.

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Daniel McKewen

Promissory Estoppel

9 November 2019–8 February 20209 Nov 2019–8 Feb 2020

IMA Belltower at Judith Wright Centre of Contemporary Arts

#IMABelltowerFaçadeProjection

After an open call for applications across Queensland, Daniel McKewen has been selected to exhibit as part of the IMA Belltower program. He will present a temporary public artwork, to be projected on the façade of the Judith Wright Centre of Contemporary Arts.

Daniel McKewen’s practice investigates the intersections of contemporary art, popular culture, economics, politics, and screen-based mass media. Working across a range of media including video installation, McKewen examines the formal and symbolic conventions of these institutionalised structures, exploring our individual and shared interactions with them.

Artist Bio
Daniel McKewen

In 2013 McKewen was awarded a Doctor of Philosophy from QUT, where is he currently a lecturer in Media Arts. His artwork is held in private collections and has been exhibited nationally and internationally since 2006, including in NEW14 at the Australian Centre for Contemporary Art, and the 19th Biennale of Sydney. McKewen is represented by Milani Gallery, Brisbane.

Video

Video: Charlie Hillhouse.

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The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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