Free Range 8

Clocked Out, Scott Tinkler, Local Painter, Peyo Pappadopoulos

29 October 2026
6pm

  • Location:
    Ground Floor Gallery
  • Event Cost:
    Pay What You Can
  • Registration:

Free Range sounds, sunny side up. Our final Thursday night sound club for 2026 – this one’s a big fry-up!

Clocked Out: Meanjin/Brisbane legends Vanessa Tomlinson and Erik Griswold have spent over twenty years propagating their visionary post-minimalist sound world, a rhizome of projects with global reach and deep influence. Restless sonic explorers with toes dipped in composition and improvisation, they draw on experimental sound, jazz, minimalism, and site-based composition. Rhythm and tone masters, these local heroes get their groove on with a bag of acoustic toys and percussion. It’s a treat to have Clocked Out back at the IMA.

Scott Tinkler: trumpeter extraordinaire, poly rhythmic maestro, diminished substitution practitioner, sharp-edged pointillist – need we continue? We think so… Based in Castlemaine, Victoria, Captain Tinkler’s renown as a trumpeter has grown over a 40 year practice across a multitude of incarnations, as both ensemble player and brilliant soloist. His collaborators read like a veritable roll call of Australian jazz and improvisation luminaries. With an improv trajectory fuelled by jazz and beyond, including non-Western cultures, he is indeed a true Free Ranger!

Local Painter: Kahl Monticone has woven a delicate tapestry of understated guitar work through countless Meanjin/Brisbane bands and solo albums. Joined by ace compadres Eric Liao (guitar) and Liam Eaton (drums), Monticone’s volume dial gets a rewire as twin guitars and drums lock in, attaining a Neu! propulsion in a private but noisy conversation. Sporting our new favourite band name, the question remains: are they referring to a neighbourhood water colourist or the person with the tin of Taubmans? You decide.

Peyo: as keen observers of the Meanjin/Brisbane music circuit will attest, scarcely a week goes by that Peyo P isn’t hitting the keys in his S Ra/A Coltrane lovin’ Cosmos Ensemble or bending strings in neo no-wave trio Mwah. He’s here, he’s there, he’s…at the IMA! His solo piano is a burning energy flow, hypnotic clusters of notes cascading into solid tone blocks. Day into night, may the cold stars rain down. This comet has many orbits left. Catch him now: he’s on fire!

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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