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  • Archive of Dreams: Surrealist Impulses, Networks, and Vision Archive of Dreams: Surrealist Impulses, Networks, and Vision
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  • Modern Times: Transatlantic Encounters in the 1920s Modern Times: Transatlantic Encounters in the 1920s
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  • Ives Maes & David Campany in Conversation Ives Maes & David Campany in Conversation
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  • Fieldwork for Future Ecologies: Radical practice for art and art-based research Fieldwork for Future Ecologies: Radical practice for art and art-based research
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  • Dirk Vis – Research For People Who (Think They) Would Rather Create Dirk Vis – Research For People Who (Think They) Would Rather Create
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  • Mario Bellatin – Mishima's Head Mario Bellatin – Mishima's Head
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  • Jesse Ball – The History of the Dolls and What They Did Jesse Ball – The History of the Dolls and What They Did
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  • Decentering Design — Practice in a More-than-human World Decentering Design
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  • How Many Female Type Designers Do You Know? By Yulia Popova How Many Female Type Designers Do You Know?
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  • The l̶a̶s̶t̶ b̶a̶s̶k̶e̶t̶ makers from Risa: Crafting a plural kinship along tradition by Fadhel Mourali The l̶a̶s̶t̶ b̶a̶s̶k̶e̶t̶ makers from Risa
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  • Artforum September 2025 Artforum
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  • Debris Magazine Issue 05: Prismatic Joy Debris Magazine Issue 05: Prismatic Joy
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Institute of Modern Art

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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Art, Craft and Design Partnership Framework, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Angelica Mesiti
Rapture (Silent Anthem)

08 Dec–02 Mar 2013

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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