Free Range 4

Ragtime Frank, Oscar Keating and Yvette Ofa Agapow, Guardia Civil

26 June 2025
6–9pm

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    Pay What You Can
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Free Range sounds, sunny side up. Loosen up with the IMA’s Thursday-night sound club.

Ragtime Frank: Founding member of free-rock outsiders The Lost Domain returns from Nipaluna/Hobart to the IMA for the first time in a decade, ready to shake it like a mole in the ground. The emergence in early 1990s Meanjin/Brisbane of a pre-war blues-obsessed noise outfit with their heads buried in the Harry Smith Anthology was, and remains, a head-scratching anomaly of the highest order. The sweet mystery still burns in brother Frank. Expect hollers, foot stomps, and no-wave chops. For the children of Son House. Nice and greasy, over easy.

Oscar Keating and Yvette Ofa Agapow: New combo of two unstoppable local sound explorers. The ubiquitous Yvette Ofa Agapow—pack leader of the notorious Chapel Hill drain-gig set, black-tonsilled noisician extraordinaire and winner of the percussionist-most-likely-to-be-dragging-an-amplified-chain-through-your-head award—teams up with Free Range favourite and Coo master-general Oscar Keating for a set of flaked-guitar and drum-song puff. Smoked deviled.

Guardia Civil: the non-linear drumming cyclone that is Tony Irving collides with low pressure bass system Max Fowler-Roy. Batten the hatches! An overturned floor tom for a kick, the breeze in his hair (so to speak), Tony Irving doesn’t just play the kit – he is the fucking kit! His infamous nineties UK duo Ascension with guitarist Stefan Jaworzyn scorched the earth lit by Coltrane/Ali. Captain Fowler-Roy trips the same synaptic spark, as these two free improvising neurons light out for the territory. Hard boiled and tossed at the audience.

Doors open at 6pm.

 

Ragtime Frank.

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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