Can we use the talking cure to solve society’s ‘problem’ with women?
Join artist Natalya Hughes in conversation with exhibition curator, Tulleah Pearce to unpack the ideas and development of this newly commissioned installation.
The Interior invites audiences into an exaggerated consultation room playfully furnished for psychoanalysis. This immersive installation combines sculptural seating, richly patterned soft furnishings, and uncanny object d’art, nestled around a hand-painted mural to generate a stimulating space to unpack our collective and unconscious biases.
COVID-19 Advice
The IMA strongly encourages mask-wearing onsite in the galleries and for events to keep our community safe. If you are displaying symptoms of COVID-19 or are feeling unwell, please stay home.
Accessibility
We are committed to making the IMA accessible to people of all abilities, their families, and carers, as well as visitors of different ages and different backgrounds.
The gallery entrance is on the ground floor of the Judith Wright Arts Centre, on Berwick Street. There is wheelchair access and an accessible toilet with baby changing facilities also located on the ground floor, and we welcome guide and support dogs.
To find out more, contact us at ima@ima.org.au, call (07) 3252 5750, or ask our friendly staff on-site. You can also read our access information for visitors here: Word Doc or PDF.
-
Natalya Hughes’s multidisciplinary practice is concerned with decorative and ornamental traditions and their associations with the feminine, the body and excess. Through painting, textiles, sculpture and installation, her recent bodies of work investigate the relationship between modernist painters and their anonymous women subjects. Using the life and work of major twentieth-century male artists Willem de Kooning and Ernst Ludwig Kirchner, as well archival case studies of Sigmund Freud, Hughes seeks to examine society’s ‘problems’ with women and the fraught associations that have ultimately determined them.
Photographer: James Caswell
25 March 201825 Mar 2018
Meet ‘The Commute’
