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  • Common Knowledge and Learning Curves Common Knowledge and Learning Curves
    By: Keg de Souza
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  • Daniel Boyd: The Law of Closure Daniel Boyd: The Law of Closure
    By: Daniel Boyd
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  • Dread Sovereign Dread Sovereign
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  • Fiona Hall: Wrong Way Time Fiona Hall: Wrong Way Time
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  • Floodland Floodland : Illustrated Book
    By: Jonathan McBurnie
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  • Killernova by Omar Musa Killernova
    By: Omar Musa
    $35.00
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  • Place Matters Place Matters
    The Partnershipping Project 2016-2020
    Eds.: Pat Hoffie
    • Art Theory
    $50.00
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  • Prime, Art's Next Generation Prime, Art's Next Generation
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  • Skullduggery Skullduggery
    By: Judy Watson
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  • To Be Magazine to Be
    Counter-Culture Issue 2
    Eds.: Annabel Blue
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  • Why Your Five Year Old Could Not Have Done That: Modern Art Explained Why Your Five Year Old Could Not Have Done That: Modern Art Explained
    By: Susie Hodge
    $25.00
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  • World of Art (Fourth Edition) World of Art
    Movements in Art Since 1945
    By: Edward Lucie-Smith
    • Art Theory
    • International Art Books
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  • Gather Glass Tumblers By Kristel Britcher Gather Glass Tumblers By Kristel Britcher
    $98.00
  • Eavesdropping: A Reader Eavesdropping: A Reader
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  • Making Art Work Making Art Work
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  • What is Performance Art? Australian Perspectives What is Performance Art? Australian Perspectives
    Eds.: Adam Geczy and Mimi Kelly
    $40.00
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Institute of Modern Art

Free Public Art Gallery

Tuesday–Sunday

10am–5pm

Ground Floor, Judith Wright Arts Centre

420 Brunswick Street

Fortitude Valley

Brisbane QLD 4006

Australia

TEL

+61-7-3252-5750

EMAIL

ima@ima.org.au


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Principal Funders

The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Arts and Craft Strategy, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Craig Walsh
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29 Mar–17 May 2014

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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