During Sinclair’s time at driving creek, he made over a hundred pieces to be fired in a phoenix wood/ soda kiln. He made works on traditional style kick wheels as well as by hand and mainly worked with local clays. His stay allowed him to refine motifs in his work as well as run a team of potters firing the wood kiln for over 14 hrs.
The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.