long water
fibre stories
05 September–19 December 202005 Sep–19 Dec 2020
#longwater
long water: fibre stories illuminates spiritual, ancestral, and physical connections to water through fibre practices of artists from Yuwaalaraay (North West NSW), Quandamooka (Moreton Bay, South East QLD), Kuku Yalanji (Far North QLD), Zenadh Kes (Torres Strait Islands, QLD), Yurruwi (Milingimbi Island, NT), and surrounding homelands. Together this group—Aboriginal and Torres Strait Islander women, spanning different generations and ancestries—share an inseparable relationship to water, be it the vast sea, inland waterways, or expansive river systems.
Water places have always been a well-spring of vitality, knowledge, and connection for people and culture, yet these sites also resonate with the experiences of colonisation, difficult histories, and the pressing environmental concerns of today.
Similarly, fibre work communicates a strong sense of history, place, and knowing, found in the meanings, materials, and processes of production. In long water, artists embed the links between water and weaving in intricate forms, layered prints, and spirited installations that are guided by ancestral memory and grounded in personal interpretations.
Collectively, long water celebrates the stories of regeneration and continuation of important cultural traditions, and the strong women and vital water places that sustain them. The country, and wide range of environments, practices, and knowledge represented speak to both deep time and contemporary experiences—bringing into focus the importance of water to our cultural health and our capacity for resilience.
This exhibition has been developed through relationships with artists and communities, particularly the Milingimbi Art and Culture Centre and Moa Arts.
Download the long water: fibre stories education resource here.
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long water has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body, the Australian Government’s Visions of Australia program, and String Harvest. long water is generously supported by IMA Trailblazers.
Artists
Curated By
- Freja Carmichael
Off-Site Venues
- Milingimbi Art and Culture Centre
Milingimbi, NT01 May–15 May 2021Northsite Contemporary Arts
Cairns, Qld27 Aug–23 Oct 2021Gab Titui Cultural Centre
Thursday Island, Qld12 Nov–20 Feb 2022Charles Darwin University Art Gallery
Darwin, NT23 Mar–09 Jul 2022Museum of Art and Culture Lake Macquarie
Lake Macquarie, NSW24 Sep–11 Dec 2022Artist BioSusan Balbunga
b. 1953, Warrawarra people of North East Arnhem Land, NT. Lives and works Yurrwi (Milingimbi Island), NTSusan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of works from the Aboriginal and Torres Strait Islander collection in Art Gallery of New South Wales). Balbunga’s work is also held in collections of the National Museum of Australia and in private collections.
Mandy Batjula
b. 1980, Gaykamangu people of North East Arnhem Land, NT. Lives and works Yurrwi (Milingimbi Island) and Laŋarra (Howard Island), NTMandy Batjula is an artist and an accomplished weaver with Milingimbi Art Centre. She has delivered workshops in weaving and natural dye processes at the Makaratta (2016) and Gattjirrk Festival (2016) in Milingimbi. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020); The Alchemists: Weaving Knowledge, The Goods Shed (2019); and Local Colour: experiments in nature, UNSW Galleries (2018). Her work is held in collections of Berndt Museum, University of Western Australia, and Australian Embassy Washington DC, among others.
Mandy Batjula is an artist and an accomplished weaver with Milingimbi Art Centre. She has delivered workshops in weaving and natural dye processes at the Makaratta (2016) and Gattjirrk Festival (2016) in Milingimbi. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020); The Alchemists: Weaving Knowledge, The Goods Shed (2019); and Local Colour: experiments in nature, UNSW Galleries (2018). Her work is held in collections of Berndt Museum, University of Western Australia, and Australian Embassy Washington DC, among others.
Mandy Batjula
b. 1980, Gaykamangu people of North East Arnhem Land, NT. Lives and works Yurrwi (Milingimbi Island) and Laŋarra (Howard Island), NTElisa Jane Carmichael
b. 1987, Ngugi people of Quandamooka, Moreton Bay, Qld. Lives and works Brisbane and Minjerribah, QldElisa Jane Carmichael is a multi-disciplinary artist working across painting, weaving, textiles, sculpture, and public art. Recent group exhibitions include Open Hands, Tarnanthi, Art Gallery of South Australia (2020); Weaving the Way, University of Queensland Art Museum (2020); and Transits and Returns, Vancouver Art Gallery (2020). She was a participating artist in the Queensland Art Gallery | Gallery of Modern Art’s Women’s Wealth project for the Asian Pacific Triennial 9 (2018). Carmichael’s work is held in private and public collections across Australia including Queensland Art Gallery, University of Queensland Art Museum, Queensland University of Technology Art Museum, and the National Gallery of Victoria. She is represented by Onespace Gallery.
Sonja Carmichael
b. 1958, Ngugi people of Quandamooka, Moreton Bay, Qld. Lives and works Minjerribah, QldSonja Carmichael is a senior Quandamooka weaver. She has shown in group exhibitions; Open Hands, Tarnanthi, Art Gallery of South Australia (2020); Australian Art Collection, Queensland Art Gallery | Gallery of Modern Art; Legacy: Reflections on Mabo, Umbrella Studio Contemporary Arts and national touring venues (2019); and Gathering Strands, Redland Art Gallery (2016). Her work is held in the collections of numerous galleries including the Queensland Art Gallery, Museum of Brisbane, National Gallery of Victoria, and Redland Art Gallery.
Sonja Carmichael is a senior Quandamooka weaver. She has shown in group exhibitions; Open Hands, Tarnanthi, Art Gallery of South Australia (2020); Australian Art Collection, Queensland Art Gallery | Gallery of Modern Art; Legacy: Reflections on Mabo, Umbrella Studio Contemporary Arts and national touring venues (2019); and Gathering Strands, Redland Art Gallery (2016). Her work is held in the collections of numerous galleries including the Queensland Art Gallery, Museum of Brisbane, National Gallery of Victoria, and Redland Art Gallery.
Sonja Carmichael
b. 1958, Ngugi people of Quandamooka, Moreton Bay, Qld. Lives and works Minjerribah, QldFiona Elisala-Mosby
b. 1985, Kala Kawa Ya, Torres Strait region, Qld. Lives and works Moa Island, QldFiona Elisala-Mosby is an artist at Moa Arts who works primarily in lino printing, etching, mono printing, weaving, and jewellery making. She has completed a Bachelor of Contemporary Australian Indigenous Art, Queensland College of Art, Griffith University. In 2019 she contributed to a creative collaboration between Aboriginal and Torres Strait Islander Art Centres and design brand Koskela, culminating in the exhibition Ngalya/Together, Tarnanthi, Art Gallery of South Australia (2019). In 2018 she was finalist in the Fremantle Art Prize and received the 2018 Indigenous Art Centre Alliance Lucille Osborne Emerging Artist Fellowship (along with Paula Savage). Her work is held in private and public collections across Australia including the National Gallery of Australia and Cairns Regional Art Gallery.
Janet Fieldhouse
b. 1971, Kala Lagaw Ya and Meriam Mir, Torres Strait region, Qld. Lives and works Cairns, QldJanet Fieldhouse is a skilled ceramicist. Fieldhouse studied art at Cairns TAFE before moving to Canberra, where she obtained two degrees from the School of Art at the Australian National University. In 2019, Fieldhouse was awarded the Cairns Indigenous Art Fair Premier’s Award for Excellence and received the inaugural Indigenous Ceramic Art Award from Shepparton Art Museum in 2007 and 2012. Recent group exhibitions include: Weaving the Way, The University of Queensland Art Museum (2020) The National: New Australian Art, Museum of Contemporary Art (2019) and Women’s Wealth Project as part of the Asia Pacific Triennial 9 Queensland Art Gallery | Gallery of Modern Art (2018). Her work is held in collections across Australia and internationally. Fieldhouse is represented by Vivien Anderson Gallery.
Janet Fieldhouse is a skilled ceramicist. Fieldhouse studied art at Cairns TAFE before moving to Canberra, where she obtained two degrees from the School of Art at the Australian National University. In 2019, Fieldhouse was awarded the Cairns Indigenous Art Fair Premier’s Award for Excellence and received the inaugural Indigenous Ceramic Art Award from Shepparton Art Museum in 2007 and 2012. Recent group exhibitions include: Weaving the Way, The University of Queensland Art Museum (2020) The National: New Australian Art, Museum of Contemporary Art (2019) and Women’s Wealth Project as part of the Asia Pacific Triennial 9 Queensland Art Gallery | Gallery of Modern Art (2018). Her work is held in collections across Australia and internationally. Fieldhouse is represented by Vivien Anderson Gallery.
Janet Fieldhouse
b. 1971, Kala Lagaw Ya and Meriam Mir, Torres Strait region, Qld. Lives and works Cairns, QldHelen Ganalmirriwuy
b. 1955, Liyagawumirr Garrawurra people of North East Arnhem Land, NT. Lives and works Yurrwi (Milingimbi Island) and Laŋarra (Howard Island), NTHelen Ganalmirriwuy is a senior weaver with Milingimbi Art and Culture centre. In 2018 she was a finalist in the Telstra National Aboriginal and Torres Strait Islander Art Awards. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020); The Alchemists: Weaving Knowledge, The Goods Shed (2019); the Asia Pacific Triennial 9, Queensland Art Gallery | Gallery of Modern Art (2018); and Bathi Mul, ARTKELCH, Germany (2018). Her work is held in collections of the Queensland Art Gallery, Art Gallery of South Australia, among others.
Ruth Nalmakarra
b. 1954, Liyagawumirr Garrawurra people of North East Arnhem Land, NT. Lives and works Yurrwi (Milingimbi Island) and Laŋarra (Howard Island), NTRuth Nalmakarra is an artist with Milingimbi Art and Culture centre and is a community leader who is passionate about education and the sharing of knowledge. She has worked as a teacher at Milingimbi Central School and at Langarra outstation for many years before working at Milingimbi Art and Culture centre as assistant manager (2005–2009). Nalmakarra has held board position with Association of Northern, Kimberley, and Arnhem Aboriginal Artists (ANKA). Recent group exhibitions include: Earth Matters, Form Gallery (2020). Her work is held in the collections of the National Gallery of Victoria and Museum Victoria, among others.
Ruth Nalmakarra is an artist with Milingimbi Art and Culture centre and is a community leader who is passionate about education and the sharing of knowledge. She has worked as a teacher at Milingimbi Central School and at Langarra outstation for many years before working at Milingimbi Art and Culture centre as assistant manager (2005–2009). Nalmakarra has held board position with Association of Northern, Kimberley, and Arnhem Aboriginal Artists (ANKA). Recent group exhibitions include: Earth Matters, Form Gallery (2020). Her work is held in the collections of the National Gallery of Victoria and Museum Victoria, among others.
Ruth Nalmakarra
b. 1954, Liyagawumirr Garrawurra people of North East Arnhem Land, NT. Lives and works Yurrwi (Milingimbi Island) and Laŋarra (Howard Island), NTPaula Savage
b. 1982, Kala Lagaw Ya and Meriam Mir, Torres Strait region, Qld. Lives and works Moa Island, QldPaula Savage is an artist at Moa Arts specialising in weaving, lino-printing, drawing, carving, and jewellery making. She was a lead artist in a creative collaboration between Aboriginal and Torres Strait Islander Art Centres and design brand Koskela, culminating in the exhibition Ngalya/Together at Tarnanthi, Art Gallery of South Australia (2019). Other recent group exhibitions include: Notation, Cross Art Projects (2019) and Lei It On, Contemporary lei and body adornment from the Torres Strait Islands, Cairns Regional Gallery (2017). She was the recipient of the Cairns Indigenous Art Fair Holding Redlich Innovation Award (2020) and alongside Fiona Elisala-Mosby was the Indigenous Art Centre Alliance Lucille Osborne Emerging Artist Fellowship (2018). Her work is held at the National Gallery of Victoria and in many private collections.
Lucy Simpson
b. 1981, Yuwaalaraay people, Walgett, Lightning Ridge and Angledool region, NSW. Lives and works Sydney, NSWLucy Simpson is an artist and designer working across a range of mediums and platforms to communicate stories and experiences of Country. She is the founder of Gaawaa Miyay (river daughter designs). In 2015 Simpson was recognised as an Australian Design Honoree by the Australian Design Centre. Recent group shows and projects include: Linear, Powerhouse Museum (2020); Measured Response, National Art School (2018); Four Thousand Fish, Sydney Festival (2018); and Primavera 2015: Young Australian Artists, Museum of Contemporary Art (2015).
Lucy Simpson is an artist and designer working across a range of mediums and platforms to communicate stories and experiences of Country. She is the founder of Gaawaa Miyay (river daughter designs). In 2015 Simpson was recognised as an Australian Design Honoree by the Australian Design Centre. Recent group shows and projects include: Linear, Powerhouse Museum (2020); Measured Response, National Art School (2018); Four Thousand Fish, Sydney Festival (2018); and Primavera 2015: Young Australian Artists, Museum of Contemporary Art (2015).
Lucy Simpson
b. 1981, Yuwaalaraay people, Walgett, Lightning Ridge and Angledool region, NSW. Lives and works Sydney, NSWDelissa Walker
b. 1990, Kuku Yalanji people, Mossman and Daintree Rainforest, Qld. Lives and works Cairns and Daintree Rainforest, QldDelissa Walker is an artist skilfully working with Black Palm fibre and is active in sharing her knowledge through weaving workshops and demonstrations. In 2017, she was a finalist in the Telstra National Aboriginal and Torres Strait Islander Art Awards. Recent group exhibitions include: Weaving the Way, University of Queensland Art Museum (2020); Measured Response, National Art School (2018); ARTNOW FNQ, Cairns Regional Gallery (2017); and Who’s Afraid of Colour?, National Gallery of Victoria (2016). Her work is held in the collections of National Gallery of Victoria and Cairns Regional Gallery, among others.
Curator BioFreja Carmichael is a Ngugi woman and curator belonging to the Quandamooka People of Moreton Bay. She works broadly across the cultural sector with artists and communities on projects with a focus on collaborative curatorial approaches and the promotion and preservation of First Nations fibre knowledge. Carmichael recently curated Weaving the Way, The University of Queensland Art Museum (2019), Seeing Country, Redland Art Gallery (2019) and Around and within, Macquarie Group Collection space gallery (2018) and was a co-curator of The Commute, Institute of Modern Art, Brisbane (2018) and its follow on iterations as The Layover, Artspace Aotearoa (2019) and Transits and Returns, Vancouver Art Gallery (2020). Currently, Freja is curator IMA Belltower at the Judith Wright Centre of Contemporary Arts and also works as an independent curator, writer and arts worker.
Video
Exhibition tour with curator Freja Carmichael
The IMA acknowledges, thanks, and pays our deepest respect to the Aboriginal and Torres Strait Islander people that we work with and the Country we work on.