Event Inside, Outside and In Parallel

Inside, Outside and In Parallel

With Övül Durmuşoğlu, Başak Şenova, Mari Spirito

4 November 2014

  • Event Cost:

On Tuesday, 4 November, Artspace, IMA, and Protocinema will present a public conversation with three visiting Turkish curators representing a range of independent, not-for-profit and museum sectors to Australia, Inside, Outside and In Parallel: Speculations from three curators working in the Turkish context. Övül Durmuşoğlu, Başak Şenova, and Mari Spirito will speak about curating within the context of Turkish contemporary art, artists and institutions in the 21st century. Following their presentations, a panel discussion and Q&A led by Russell Storer, Curatorial Manager, Asian and Pacific Art, QAGOMA, Brisbane, will enable the audience to engage with a variety of methodologies specific to the Turkish context.

This curatorial research visit and public talk is generously supported and enabled by the Australia Council for the Arts and the Department of Foreign Affairs and Trade.

Guest Info
  • Övül Durmuşoğlu

    Övül Durmuşoğlu is a curator and writer based in Berlin and Istanbul. She completed an MFA in Visual Arts and Visual Communication Design at Sabanci University, Istanbul and participated in the Critical Studies program at Malmö Art Academy, Sweden (2005–06). In 2007, Durmuşoğlu was awarded the Premio Lorenzo Bonaldi Young Curators Award for her exhibition Data Recovery, GAMeC, Bergamo, and in 2010 she received a Rave Scholarship to work on a collaborative project of the Institute for Foreign Cultural Relations (ifa), Stuttgart and the Akademie Schloss Solitude, Stuttgart. In 2013, Durmuşoğlu curated the festival Sofia Contemporary. As a Goethe Institute Fellow at Maybe Education and Public Programs for dOCUMENTA (13), she organised the programs, What is Thinking? Or a Taste That Hates Itself; Readers Circle: 100 Notes – 100 Thoughts; and Paper Mornings: Book Presentations at dOCUMENTA (13). Durmuşoğlu has contributed to different catalogues, publications, and magazines such as Frieze d/e, Flash Art International, and …ment.

    Başak Şenova

    Başak Şenova is a curator and designer. She studied literature and graphic design (MFA in Graphic Design and PhD in Art, Design and Architecture at Bilkent University) and attended the 7th Curatorial Training Programme of Stichting De Appel, Amsterdam. She has been writing on art, technology and media, initiating and developing projects and curating exhibitions since 1995. Şenova is an editorial correspondent for ibraaz.org and one of the founding members of NOMAD, as well as the organizer of ctrl_alt_del and Upgrade!Istanbul. Senova was the curator of the Pavilion of Turkey at the 53rd Venice Biennale (2009). As an assistant professor, she has lectured at various universities in Istanbul, such as Kadir Has University, Bilgi University and Koç University. She co-curated UNCOVERED (Cyprus) and the  2nd Biennial of Contemporary Art, D-0 ARK Underground (Bosnia and Herzegovina). Şenova is a member of the Advisory Boards of the Istanbul Biennial and D-0 ARK Underground, and of the Advisory Committee of Protocinema. She is the curator of the Helsinki Photography Biennial 2014, Jerusalem Show, and the Art Gallery Chair of SIGGRAPH 2014 (ACM), Vancouver.

    Mari Spirito

    Mari Spirito is the Founding Director of Protocinema, a nonprofit realising transnational, site-aware exhibitions around the world, based in Istanbul. Protocinema recently presented Diner Noire, with Dominique Gonzalez-Foerster and Tristan Bera in Istanbul; early work by Gerard Byrne in a former Chinese deli in New York; and new work by Ahmet Ögüt in New York in partnership with Itinerant. Spirito served as an Advisor to the 2nd Mardin Biennial, Turkey (2012). Prior to founding Protocinema, she was Director of 303 Gallery in New York for 12 years, where she worked on large-scale, site-specific works by Mike Nelson and Doug Aitken. Spirito is a Consultant for Art Basel’s Conversation and Salons, and is on the boards of Participant Inc. and New Art Dealers Alliance in New York; and Collectorspace in Istanbul.

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.