Event Rhana Devenport: Art is the highest form of hope

Rhana Devenport: Art is the highest form of hope

Talk

23 October 2021
11am–12pm

In this talk ‘the churchie’ 2021 judge Rhana Devenport traces pivotal moments in her collaborations, commissions and projects with artists, from performances in the first Asia Pacific Triennial and artist residencies in Aotearoa New Zealand, to her current work as a curatorial advisor for the Aichi Triennale 2022 in Japan. 

 

Accessibility information: 
We are committed to making the IMA accessible to people of all abilities, their families, and carers as well as visitors of different ages and different backgrounds. There is wheelchair access and an accessible toilet with baby changing facilities also located on the ground floor and we welcome guide and support dogs. To find out more contact us at ima@ima.org.au or call 07 3252 5750. Read our access information for visitors here.

COVID safety advice: 
—Please wear a mask and check-in on arrival as per government advice.
—If you become unwell during the event locate an IMA staff member.
—Maintaining physical distancing is the individual’s responsibility.

Please do not attend if, in the last 14 days you have  

  • returned to Australia from overseas (other than a safe travel zone country)  
  • been in close contact with an active COVID-19 case  
  • been in a Queensland declared COVID-19 hotspot, place of concern or exposure venue, as defined by the Chief Health Officer 
  • had a fever, cough, sore throat, headache, distorted sense of taste, shortness of breath, chills, vomiting or any cold/flu like symptoms in the last 72 hours 
Guest Info
  • Rhana Devenport is the first woman to hold the Director position at AGSA. She is a museum director, curator, editor, and cultural producer whose career spans art museums, biennials, and arts festivals. As former Director of Auckland Art Gallery Toi o Tāmaki she, in 2017, curated the work of Lisa Reihana for the New Zealand Pavilion at the Venice Biennale. Prior to that she was Director of the Govett-Brewster Art Gallery in New Plymouth, leading to the development of the Len Lye Centre.In Australia she worked on the first four Asia Pacific Triennials at the Queensland Art Gallery. Her curatorial interests include contemporary art of Asia and the Pacific, time-based media, and social practice. 

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