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  • Singing Bones Singing Bones
    Ancestral Creativity and Collaboration
    By: Samuel Curkpatrick
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    Pasifika Bark Cloth in Queensland
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  • The Art of Politics, The Politics of Art The Art of Politics, The Politics of Art
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  • Mook Mook Goes Fishing Mook Mook Goes Fishing
    By: Marie Kemp
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  • Nil/Resplendent – Lesser Free Trade LP Lesser Free Trade
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  • Sale! Elise Florenty & Marcel Türkowsky ‎– Kreisel . Dreidel Kreisel . Dreidel
    By: Elise Florenty & Marcel Türkowsky
    $45.00 Original price was: $45.00.$30.00Current price is: $30.00.
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  • Ruth Buchanan - camera, building, screen Ruth Buchanan
    Or, a camera, Or, a building, Or, a screen
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  • Double Displacement: Rex Butler on Queensland Art 1992-2016 Double Displacement
    Rex Butler on Queensland Art 1992-2016
    Eds.: Helen Hughes, Francis Plagne
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  • Robert Smithson: Time Crystals Robert Smithson
    Time Crystals
    • International Art Books
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  • Jesse Jones: The Other North Jesse Jones: The Other North
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  • Dale Harding: Body of Objects Dale Harding
    Body of Objects
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  • Placeholder The Uncertain States of America Reader
    Eds.: Eds.: Noah Horowitz, Brian Sholis
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  • Placeholder Based Less On Substance Than On Profit
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  • Archie Moore 1970-2018 Archie Moore 1970-2018
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  • Unfinished Business: Perspectives on art and feminism Unfinished Business: Perspectives on art and feminism
    Eds.: Max Delany & Annika Kristensen
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Institute of Modern Art

Free Public Art Gallery

Tuesday–Sunday

10am–5pm

Ground Floor, Judith Wright Arts Centre

420 Brunswick Street

Fortitude Valley

Brisbane QLD 4006

Australia

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+61-7-3252-5750

EMAIL

ima@ima.org.au


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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Art, Craft and Design Partnership Framework, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Our Archives 00–21

Gregory Crewdson
In a Lonely Place

16 Mar–25 May 2013

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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