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  • Otto von Busch – The Design Comedy: The Descent Through Inferno Otto von Busch – The Design Comedy: The Descent Through Inferno
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  • Mark Mingu Cho – 111 Days Mark Mingu Cho – 111 Days
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  • The Mountain Speaks to the Sea The Mountain Speaks to the Sea
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  • Three Becomes Two Becomes One Becomes None Three Becomes Two Becomes One Becomes None
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  • Ives Maes & David Campany in Conversation Ives Maes & David Campany in Conversation
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  • Fieldwork for Future Ecologies: Radical practice for art and art-based research Fieldwork for Future Ecologies: Radical practice for art and art-based research
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  • Dirk Vis – Research For People Who (Think They) Would Rather Create Dirk Vis – Research For People Who (Think They) Would Rather Create
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  • Can Xue – Kafka & I Can Xue – Kafka & I
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  • Mario Bellatin – Mishima's Head Mario Bellatin – Mishima's Head
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  • Jesse Ball – The History of the Dolls and What They Did Jesse Ball – The History of the Dolls and What They Did
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  • Eka Kurniawan – Love Never Dies Eka Kurniawan – Love Never Dies
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  • Object-Oriented Identity: Cultural Belongings from our Recent Past by Zsofia Kollar Object-Oriented Identity
    Cultural Belongings from our Recent Past
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  • Decentering Design — Practice in a More-than-human World Decentering Design
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  • Diagrams of Power: Visualizing, Mapping, and Performing Resistance Diagrams of Power
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  • The l̶a̶s̶t̶ b̶a̶s̶k̶e̶t̶ makers from Risa: Crafting a plural kinship along tradition by Fadhel Mourali The l̶a̶s̶t̶ b̶a̶s̶k̶e̶t̶ makers from Risa
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  • Artforum September 2025 Artforum
    September 2025
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Institute of Modern Art

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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Art, Craft and Design Partnership Framework, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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The Same River Twice
Part 1

06 Dec–28 Feb 2008

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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Jesse Ball – The History of the Dolls and What They Did
Jesse Ball – The History of the Dolls and What They Did
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