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  • Walter Carlos - By Request By Request
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  • Wanderer Issue #9 Which Way Now Wanderer Issue #9 Which Way Now
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  • Wang Yuyang: Chaosmosis Wang Yuyang: Chaosmosis
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  • Wang Zhong – Until We Meet Again Wang Zhong – Until We Meet Again
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  • Weird Realism by Graham Harman Weird Realism
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  • Weird Tales of Postapoland Weird Tales of Postapoland
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  • What Is Post-Modern Conservatism: Essays On Our Hugely Tremendous Times What Is Post-Modern Conservatism: Essays On Our Hugely Tremendous Times
    By: Matthew McManus
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  • What is Postnational Art History? What is Postnational Art History?
    Eds.: Charles Green & Ian McLean
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  • What's Next for Mom and Dad’s House?: Essays on the single-family housing type and its future What's Next for Mom and Dad’s House?: Essays on the single-family housing type and its future
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  • White Fungus: Issue 16 White Fungus
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  • White Fungus: Issue 18 White Fungus
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  • Who’s Afraid of Public Space? Who’s Afraid of Public Space?
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  • Who’s Afraid of Public Space? Who’s Afraid of Public Space?
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  • Why We Love Sociopaths by Adam Kotsko Why We Love Sociopaths
    A Guide to Late Capitalist Television
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Institute of Modern Art

Free Public Art Gallery

Tuesday–Sunday

10am–5pm

Ground Floor, Judith Wright Arts Centre

420 Brunswick Street

Fortitude Valley

Brisbane QLD 4006

Australia

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+61-7-3252-5750

EMAIL

ima@ima.org.au


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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Arts and Craft Strategy, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Our Archives 00–21

Sarah Browne
Hand to Mouth

11 Oct–29 Nov 2014

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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