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  • un Magazine 18.3 Sabaar / 18.4 Good Grief un Magazine 18.3 Sabaar / 18.4 Good Grief
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  • UnAustralian Art: Ten Essays on Transnational Art History UnAustralian Art
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  • What's Next for Mom and Dad’s House?: Essays on the single-family housing type and its future What's Next for Mom and Dad’s House?: Essays on the single-family housing type and its future
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  • Who’s Afraid of Public Space? Who’s Afraid of Public Space?
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  • A Brief History of Curating, Hans Ulrich Obrist A Brief History of Curating
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  • Sale! A Year in the Art World A Year in the Art World
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  • An unreliable guidebook to jewellery by Lisa Walker An unreliable guidebook to jewellery
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    By: Lisa Walker
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  • Every Rape in the Met Museum Every Rape in the Met Museum
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  • It's Not Personal - Post 60s Body Art and Performance It's Not Personal
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  • Jonathan Jones, Works on paper 2010–19 Jonathan Jones, Works on paper 2010–19
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  • Place Matters Place Matters
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  • Poetics of Relation by Edouard Glissant Poetics of Relation by Edouard Glissant
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  • Space Forces Space Forces
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  • The Futures of the Museum-28 Dialogues, Andras Szanto The Future of the Museum
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  • The Relationship is the Project: Working With Communities The Relationship is the Project: Working With Communities
    Eds.: Jade Lillie, with Kate Larsen, Cara Kirkwood and Jax Jacki Brown
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Institute of Modern Art

Free Public Art Gallery

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Ground Floor, Judith Wright Arts Centre

420 Brunswick Street

Fortitude Valley

Brisbane QLD 4006

Australia

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+61-7-3252-5750

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ima@ima.org.au


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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Arts and Craft Strategy, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Lilla Watson and Timothy O'Dwyer
Soft Night Falling

22 Jul–27 Aug 2005

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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Breaking Free: Queer Temporality and Collaborative Art
Breaking Free: Queer Temporality and Collaborative Art
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Charles Moore – 24-Hour Interview
Charles Moore – 24-Hour Interview
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New Aesthetic 1
New Aesthetic 1
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Sight Unseen: Visualising the Unseeable through Art and Science
Sight Unseen: Visualising the Unseeable through Art and Science
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Entangled Internationalisms: The Missed Seminar. Worldmaking after Internationalism
Entangled Internationalisms: The Missed Seminar. Worldmaking after Internationalism
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