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  • The Colonial, Familiar, Nostalgic, Radical, Transformative Life of the Strawberry The Colonial, Familiar, Nostalgic, Radical, Transformative Life of the Strawberry
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  • The Gender of Sound The Gender of Sound
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  • The King of Circles - Shuntaro Tanikawa and Kiyoshi Awazu The King of Circles – Shuntaro Tanikawa and Kiyoshi Awazu
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  • The l̶a̶s̶t̶ b̶a̶s̶k̶e̶t̶ makers from Risa: Crafting a plural kinship along tradition by Fadhel Mourali The l̶a̶s̶t̶ b̶a̶s̶k̶e̶t̶ makers from Risa
    Crafting a plural kinship along tradition
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  • The Lure of the Image The Lure of the Image
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  • The Mountain Speaks to the Sea The Mountain Speaks to the Sea
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  • The Princess of the Never-ending Castle pocket edition The Princess of the Never-ending Castle pocket edition
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  • The Site of Memory The Site of Memory
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  • The Sleeping Hermaphrodite The Sleeping Hermaphrodite
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  • The Thing The Thing
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  • They Live In Me They Live In Me
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  • THING THING
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  • Three Becomes Two Becomes One Becomes None Three Becomes Two Becomes One Becomes None
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  • Total Eclipse Total Eclipse
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  • Tribae - The Cascade Tribae - The Cascade
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  • Tribae II - Interlude Tribae II - Interlude
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Institute of Modern Art

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ima@ima.org.au


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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Arts and Craft Strategy, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Charles Robb
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02 Sep–08 Oct 2005

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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