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  • After The Carnage After The Carnage
    By: Tara June Winch
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  • Another Day in the Colony: Chelsea Watego Another Day in the Colony
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  • Becoming Our Future Becoming Our Future
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  • Can We Save The Planet? Can We Save The Planet?
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  • Comfort Food Comfort Food
    By: Ellen van Neerven
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  • Critical Encounters Critical Encounters
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  • Fire Front Fire Front
    First Nations poetry and power today
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  • Guwayu, for all times Guwayu, for all times
    A Collection of First Nations Poems
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  • In Search of the Black Panther Party In Search of the Black Panther Party
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  • Is Gender Fluid? Is Gender Fluid?
    A primer for the 21st century
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  • Jon Campbell: Book Jon Campbell: Book
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  • Plurals can be weir Plurals Can Be Weird (You Will See)
    By: Keg de Souza and Lucas Abela
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  • The Collected Poems Of Edouard Glissant The Collected Poems Of Edouard Glissant
    Eds.: Jeff Humphries (Editor), Melissa Manolas (Translator)
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  • The IDEA The IDEA
    or the inevitable and wonderful cycle of creative existence
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  • Ways of Curating, Hans-Ulrich Obrist Ways of Curating, Hans-Ulrich Obrist
    • Art Theory
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Institute of Modern Art

Free Public Art Gallery

Tuesday–Sunday

10am–5pm

Ground Floor, Judith Wright Arts Centre

420 Brunswick Street

Fortitude Valley

Brisbane QLD 4006

Australia

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+61-7-3252-5750

EMAIL

ima@ima.org.au


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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Art, Craft and Design Partnership Framework, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Green Screen
Hannah Brontë: Umma’s Tongue–molten at 6000°

13 Jan–10 Mar 2018

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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