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  • Babbling Corpse by Grafton Tanner Babbling Corpse
    Vaporwave and the Commodification of Ghosts
    By: Grafton Tanner
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  • Baby in the boneyard Baby in the boneyard
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  • BACK AND FORTH - Ways of making APHIDS BACK AND FORTH - Ways of making APHIDS
    • Art Theory
    $8.00
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  • Banjo McLachlan – 31 Beach Looks Banjo McLachlan – 31 Beach Looks
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  • Barbara Kruger: Blind Eye catalogue Barbara Kruger: Blind Eye catalogue
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  • Bells and Whistles by Graham Harman Bells and Whistles
    More Speculative Realism
    By: Graham Harman
    $42.99
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  • Ben Quilty: Free Fall Ben Quilty: Free Fall
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  • Black Marrow Black Marrow
    • International Art Books
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  • BOB BOB
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  • Bodies of Extraction Bodies of Extraction
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  • Boredom and Art by Julian Jason Haladyn Boredom and Art
    Passions of the Will to Boredom
    By: Julian Jason Haladyn
    $39.99
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  • Brave New Avant Garde by Marc James Léger Brave New Avant Garde
    Essays on Contemporary Art and Politics
    By: Marc James Léger
    $34.99
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  • Breaking Free: Queer Temporality and Collaborative Art Breaking Free: Queer Temporality and Collaborative Art
    • Art Theory
    $67.00
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  • BRICK by Joel Skavdahl BRICK
    By: Joel Skavdahl
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  • Brisbane Blacks Brisbane Blacks
    By: Michael Aird
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    $60.00
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  • Brisbane Bookshops Brisbane Bookshops
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Institute of Modern Art

Free Public Art Gallery

Tuesday–Sunday

10am–5pm

Ground Floor, Judith Wright Arts Centre

420 Brunswick Street

Fortitude Valley

Brisbane QLD 4006

Australia

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+61-7-3252-5750

EMAIL

ima@ima.org.au


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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Arts and Craft Strategy, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Fresh Cut 2012

23 Jun–04 Aug 2012

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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