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IMA Shop / Books / Page 48
  • Documents of Contemporary Art: The Magazine The Magazine
    Documents of Contemporary Art
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  • Documents of Contemporary Art: Boredom Boredom
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  • Documents of Contemporary Art: Science Fiction Science Fiction
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  • Documents of Contemporary Art: The Cute The Cute
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  • Documents of Contemporary Art: Magic Magic
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  • Documents of Contemporary Art: Animals Animals
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  • Documents of Contemporary Art: Destruction Destruction
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  • The Interior: Natalya Hughes (Special Edition) The Interior (Special Edition)
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  • Any But None Any But None
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  • Gordon Hookey: A MURRIALITY A MURRIALITY
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  • Mick Richards Above and Below Mick Richards Above and Below
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  • DNA #6 DNA #6
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  • Script for a Synthetic Play Script for a Synthetic Play
    On (Un)grounding community and the generative power of fiction
    By: Flora Reznik
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  • Etching Past & Present: Paul Bong, Yidinji Artist Etching Past & Present: Paul Bong, Yidinji Artist
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Institute of Modern Art

Free Public Art Gallery

Tuesday–Sunday

10am–5pm

Ground Floor, Judith Wright Arts Centre

420 Brunswick Street

Fortitude Valley

Brisbane QLD 4006

Australia

TEL

+61-7-3252-5750

EMAIL

ima@ima.org.au


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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Creative Australia, and the Visual Art, Craft and Design Partnership Framework, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia.

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Stuart Ringholt
IMA at Ksubi

02 Aug–08 Sep 2012

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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